Listing 1 - 10 of 13 << page
of 2
>>
Sort by

Book
Annunciations : sacred music for the twenty-first century
Author:
ISBN: 1783747285 1783747277 1783747269 Year: 2019 Publisher: Cambridge, UK : Open Book Publishers,

Loading...
Export citation

Choose an application

Bookmark

Abstract

"Our contemporary culture is communicating ever-increasingly through the visual, through film, and through music. This makes it ever more urgent for theologians to explore the resources of art for enriching our understanding and experience of the Judeo-Christian tradition. Annunciations: Sacred Music for the twenty-First Century, edited by George Corbett, answers this need, evaluating the relationship between the sacred and the composition, performance, and appreciation of music. Through the theme of 'annunciations', this volume interrogates how, when, why, through and to whom God communicates in the Old and New Testaments. In doing so, it tackles the intimate relationship between Scriptural reflection and musical practice in the past, its present condition, and what the future might hold. Annunciations comprises three parts. Part I sets out flexible theological and compositional frameworks for a constructive relationship between the sacred and music. Part II presents the reflections of theologians and composers involved in collaborating on new pieces of sacred choral music, alongside the six new scores and links to the recordings. Part III considers the reality of programming and performing sacred works today. This volume provides an indispensable resource for scholars and artists working at the interface between theology and the arts, and for those involved in sacred music. However, it will also be of interest to anyone concerned with the ways in which the Divine communicates through word and artistry to humanity."--Publisher's website.


Book
Benigno Zerafa (1726-1804) and the Neapolitan Galant style
Author:
ISBN: 9781783270866 1783270861 9781782046172 1782046178 Year: 2016 Publisher: Suffolk : Boydell & Brewer,

Loading...
Export citation

Choose an application

Bookmark

Abstract

This book is the first-ever study of Malta's major eighteenth-century composer, Benigno Zerafa (1726-1804), a specialist in sacred music composition. Zerafa's large-scale and small-scale vocal and choral works, mostly written during his long service as musical director at the Cathedral of Mdina, have been winning increased recognition in recent years. In addition to describing and analysing this extensive corpus, the book gives an account of Zerafa's sometimes eventful career against the wider background of the rich musical and cultural life in Malta, especial attention being paid to its strong links with Italy, and particularly Naples, where Zerafa was a student for six years. It examines in detail the complex relationship of music to Catholic liturgy and investigates the distinctive characteristics of the musical style, intermediate between baroque and classical, in which Zerafa was trained and always composed: one that today is commonly labelled 'galant'.
Well stocked with music examples, the book makes copious reference to Italian and Maltese composers from Zerafa's time and to modern analytical studies of Italian music from the middle decades of the eighteenth century, thereby offering a useful general commentary on the galant period. Its central aim, however, is to stimulate further interest in, and revival of, Zerafa's music. To this end the book contains a complete work-list with supplementary indexes. Scholars and students of eighteenth-century music, in particular sacred music, the galant style and Italian music, will find it invaluable.

FREDERICK AQUILINA is Senior Lecturer in Music Studies at the University of Malta.


Book
Revival and reconciliation : sacred music in the making of European modernity
Author:
ISBN: 0810882698 9780810882690 0810881837 9780810881839 9780810881839 Year: 2013 Publisher: Lanham, Md. : Scarecrow Press,

Loading...
Export citation

Choose an application

Bookmark

Abstract

Drawing upon three decades of research in European sacred music, Philip V. Bohlman calls for a re-examination of European modernity in the twenty first century, a modernity shaped no less by canonic religious and musical practices than by the proliferation of belief systems that today more than ever respond to the diverse belief systems that engender the New Europe.

Die Musikgeschichte der Abtei Reichenau im 10. und 11. Jahrhundert : ein Versuch
Author:
ISBN: 3515082123 9783515082129 Year: 2003 Volume: 52 Publisher: Stuttgart Steiner


Book
Émergences du Chant Grégorien : les strates de la branche Neustro-insulaire (687-930)
Authors: ---
ISBN: 9782503579788 2503579787 9782503579764 2503579760 9782503579771 2503579779 Year: 2019 Publisher: Turnhout Brepols Publishers

Loading...
Export citation

Choose an application

Bookmark

Abstract

Soucieux de réconcilier l'érudition "grégorienne" avec les travaux des liturgistes et des philologues, Jean-François Goudesenne scrute dans la genèse du chant "grégorien" l'hypothèse d'une première phase franco-insulaire, enracinée dans l'ancienne Neustrie mérovingienne, vivifiée par les apports monastiques irlandais puis en lien avec des foyers carolingiens piémontais et lombards. Une hypothèse qui permet de reconstruire une genèse d'un grégorien décliné au pluriel, en lien avec d'autres branches. Comme l'écriture caroline, le "grégorien" fut "fabriqué " par étapes progressives, non depuis un centre unique mais à partir de plusieurs matrices. Les multiples interférences de l'oralité sur l'écriture, la nature spécifique des textes chantés comme la fonction manuscrits liturgiques permettent de déceler ses réécritures successives, dégagée des dogmes hérités de cette vision néo-lachmanienne d'un original unique à deux branches opposées d'une historiographie qui a largement valorisé les types Lotharingien et Alémano-germanique de la période ottonienne tout au long des XIXe et XXe siècles. Richement documenté, l'auteur revisite les aires culturelles européennes en inscrivant "l'émergence grégorienne" comme une acculturation évolutive, dans un schéma généalogique bien plus complexe qu'une simple transmission linéaire. Une posture lentement construite à partir d'un vaste corpus, desservie par un large panel de sources dans l'espace de l'Imperium et la profondeur de la transmission longue, qui s'oppose aux méthodes des entreprises bénédictines des années 30-60 comme aux restitutions de l'école post-cardinienne, pour s'inscrire plus volontiers dans la lignée des travaux de Treitler, Van der Werf, Bernard, Saulnier ou Jeffery.


Book
Mixing musics : Turkish Jewry and the urban landscape of a sacred song
Author:
ISBN: 080478566X 9780804785662 9780804780155 0804780153 9780804797269 Year: 2013 Publisher: Stanford, CA : Stanford University Press,

Loading...
Export citation

Choose an application

Bookmark

Abstract

Through Ottoman, Turkish, and Jewish music-making this cultural history illuminates a multi-ethnic Ottoman art world and its transformations across the twentieth and twenty-first centuries. It explores cross-cultural flows often left out of histories focusing on Jewish communities in isolation, top-down political events, or national narratives. The genre under study, Maftirim music, is a paraliturgical sacred suite developing since the seventeenth century along with Ottoman court music.


Book
Sacred and secular musics
Author:
ISBN: 1474288855 1472552601 1441100458 9781441100450 9781441121325 1441121323 9781472552600 9781441108661 1441108661 9781474288859 Year: 2014 Publisher: London New York

Loading...
Export citation

Choose an application

Bookmark

Abstract

"How does the sacred/secular opposition explain itself in the context of musical production? This volume traces this binary as it frames Western Classical music and Indian Classical music in the 18th and 19th centuries, laying the ground for a contemporary exploration of what is ostensibly sacred music in South Asia. Offering a potent critique of musicological knowledge-making, Virinder S. Kalra explores examples of South Asian musics in various domains and traverses a new cartography of music in which the sacred and the secular overlap. Drawing on examples which include Qawwali, kirtan and popular devotional genres, Sacred and Secular Musics offers new empirical material, as well as new insights into conceptualising religion and music, and the ways in which music performs sacredness and secularity across the contested India-Pakistan border in the region of Punjab. Through its deconstruction of the sacred/secular opposition, Sacred and Secular Musics explores the relationship of religion and music to wider questions of religion and politics. Its postcolonial approach brings Asia into the Western sacred/secular opposition, and provides a set of analytical tools - a language and range of theories - to allow further exploration of non-western religious music."--Bloomsbury Publishing.

The advent project : the later-seventh-century creation of the Roman mass proper
Author:
ISBN: 0520924339 1597344524 9780520924338 0585389845 9780585389844 0520221982 9780520221987 Year: 2000 Publisher: Berkeley : University of California Press,

Loading...
Export citation

Choose an application

Bookmark

Abstract

In his final accomplishment of an extraordinarily distinguished career, James W. McKinnon considers the musical practices of the early Church in this incisive examination of the history of Christian chant from the years A.D.. 200 to 800. The result is an important book that is certain to have a long-lasting impact on musicology, religious studies, and history.


Book
La musique: un sacrement? : La médiation de la musique rituelle comme lieu théologique : une participation à l'épiphanie du mystère de l'Église
Author:
ISBN: 9782889185795 2889185796 Year: 2018 Publisher: Paris Parole et silence

Loading...
Export citation

Choose an application

Bookmark

Abstract

Le Concile Vatican Il a défini la musique sacrée en tant que fonction ministérielle (munus ministeriale) dans la liturgie. Cette appellation sans précédent ouvre de vastes horizons sur la place de la musique sacrée dans le lieu propre du questionnement théologique bien qu'encore peu explorés. Expression sonore de l'Eglise là où l'indicible est irréductible au langage, la musique liturgique s'inscrit dans une anthropologie du rite. Au service de la communauté, elle en renforce la cohésion et exprime ce qui s'y vit, elle signifie la fête en opérant une rupture avec le quotidien. Les défis soulevés sont de taille, ne serait-ce que pour se garder de l'écueil d'une recherche d'esthétisme pur, faux chemin vers Dieu, ou quand l'acte de foi n'est plus un préalable et la tension eschatologique occultée. Porte d'entrée pour repenser la place de la musique sacrée dans la liturgie chrétienne, l'expression conciliaire permet d'interroger sous un jour nouveau le rapport de l'homme à la musique dans sa relation à Dieu et la participation de cette dernière à l'épiphanie du mystère de l'Eglise. Cet essai est notamment enrichi d'une considérable bibliographie offrant une vue d'ensemble de la question musicale dans le christianisme.

Listing 1 - 10 of 13 << page
of 2
>>
Sort by